Roy Norton

Summary

Roy Norton Der Poys in Schiller's Haus (1910)

Quite often, tired and old, he found it difficult to stand and swing to a strap by his white, thin hand, that some tired woman might take his seat. Once a man in haste knocked him down as he stepped carefully out, heeding the bewildering admonishments to “Step lively! Don't crowd! Watch your steps! Hurry up! Don't hurry!” and “Let 'em off, won't you?” The fall sprained his fingers, and no more lonely spirit ever sat round Schiller's than Herr Schmidt in that enforced three days' vacation, the only one he had ever known in his many years of service.
Source: Wikisource

Roy Norton Der Poys in Schiller's Haus (1910)

You think you are a whole automobile, hein? You—you—” and then, in a final burst of desire for epithet,—“you peanut machine!”
That those who heard laughed at his broken English did not improve his temper; but when he again sneaked into Schiller's Haus irritation had once more been supplanted by melancholy. The orchestra—his orchestra—did not observe his entrance. It was in the full swing of a stirring march, and the new director, smiling with egotism, as if the organization was his own creation, was waving aloft a baton held in one bejeweled hand while filling in chords with the other.
Source: Wikisource

Roy Norton Der Poys in Schiller's Haus (1910)

They might, as they grew old and doddering, forget other triumphs; but not so with Herr Schmidt, the triumphs being milestones in the fifty years of his life which had revolved around Schiller's Haus. Once, in enthusiastic mood, an English Prince destined for a throne had complimented the accomplished fifteen, and on a later occasion a mighty German nobleman had publicly declared that America would not be without fine music so long as Herr Schmidt lived to lead an orchestra.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature