Summary

Portrait of Rudyard Kipling Rudyard Kipling McClure's Magazine, Volume 26, Number 1… (1905)

One forms itself into a globe of pale flame that waits shivering with eagerness till we sweep by. It leaps monstrously across the blackness, alights on the precise tip of our nose, pirouettes there an instant, and swings off. Our roaring bow sinks as though that light were lead—sinks and recovers to lurch and stumble again beneath the next blow-out. Tim's fingers on the lift-shunt strike chords of numbers—1:4:7:—2:4:6:—7:5:3; and so on; for he is running by his tanks only, lifting or lowering her against the uneasy air.
Source: Wikisource

Portrait of Rudyard Kipling Rudyard Kipling McClure's Magazine, Volume 26, Number 1… (1905)

A hundred and fifty feet aft down the flat-topped tunnel of the tanks a violet light, restless and irresolute. Between the two, three white-painted turbine-trunks, like eel-baskets laid on their side, accentuate the empty perspectives. You can hear the trickle of the liquefied gas flowing from the vacuum into the bilge-tanks and the soft gluck-glock of gas-locks closing as Captain Purnall brings "162" down by the head. The hum of the turbines and the boom of the air on our skin is no more than a cotton-wool wrapping to the universal stillness. And we are running an eighteen-second mile.
Source: Wikisource

Portrait of Rudyard Kipling Rudyard Kipling McClure's Magazine, Volume 26, Number 1… (1905)

Our bow clothes itself in blue flame and falls like a sword. No human skill can keep pace with the changing tensions. A vortex has us by the beak and we dive down a two-thousand foot slant at an angle (the dip-dial and my bouncing body record it) of thirty-five. Our turbines scream shrilly; the propellers cannot bite on the thin air; Tim shunts the lift out of five tanks at once and by sheer weight drives her bullet wise through the maelstrom till she cushions with a jar on an up-gust, three thousand feet below.
Source: Wikisource

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