Samuel Birch

../../ (1846)

Summary

Samuel Birch,  ../../ (1846)

“ Thus the question arises, whether the art-remains of the Celts are sufficient to enable us to fix the position which that people occupied in the scale of nations?
It should always be borne in mind, that there is an art-history co-existent with the traditional or written history of every country, and that there is a relation subtle and philosophical, but not less certain, between all the products of the mind of man.
”
Source: Wikisource

Samuel Birch,  ../../ (1846)

“ ON THE TORC OF THE CELTS.
In investigating the history of our Celtic ancestors, we can place but little reliance on the traditions which have descended to us respecting them, traditions enveloped in doubt, which mere philological inquiry cannot satisfactorily resolve, and in the absence of better evidence, their remains are the chief tests of their social condition, and the place to which they are entitled among the past races of mankind.
”
Source: Wikisource

Samuel Birch,  ../../ (1846)

“ The torques. The Latin word torques [1] has been applied in a very extended sense to the various necklaces or collars for the neck, found in Britain, and other countries inhabited by the Celtic tribes. This word has been supposed to be derived from the Welch [2] or Irish [3] torc, which has the same signification, but the converse is equally plausible, that this was derived from the Latin. It bears great analogy to the Anglo-Saxon word to twist, and is agreed by all writers to have alluded to the twisted form of the ornament. ”
Source: Wikisource

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