Samuel Hopkins Adams

Samuel Hopkins Adams

Summary

Portrait of Samuel Hopkins Adams Samuel Hopkins Adams Our Square and the People in It

MACLACHAN OF OUR SQUARE MACLACHAN, the tailor, is as Scotch as his name and as dour as the Scotch. Our Square goes to his Home of Fashion to have its clothes made, repaired, and, on rare and special occasions, pressed, as a matter of local loyalty, which does not in the least imply that it either likes or approves MacLachan. It is, in fact, rather difficult to like him. He has a gray-granite face with a mouth like a snapped spring, toppling brows, and a nose wrinkled into the expression of one suspicious of all mankind and convinced that his worst suspicions are well founded.
Source: Gutenberg

Portrait of Samuel Hopkins Adams Samuel Hopkins Adams Our Square and the People in It

You're only a man,” said the Bonnie Lassie with sovereign contempt. For the moment she ceased to be an artist and became a philosopher. “Some people,” she pronounced sagely, “just naturally fall in love by degrees. Some”—her face turned unconsciously toward the outer room where Cyrus the Gaunt was busy, and became dreamy and tender—“run away from love and are overtaken by it. And some go open-hearted and open-armed, to meet it when it comes. That is Paula. She's the type of woman to whom there is only one possible man in the world.
Source: Gutenberg

Portrait of Samuel Hopkins Adams Samuel Hopkins Adams Our Square and the People in It

Cyrus, to do him justice, tried his best. They stopped one dollar and forty cents out of his Saturday's envelope for what he and the roller did to the barriers and lanterns. By the time he had swung into the cross-street, trailing wreckage, the Bonnie Lassie was out of sight and out of his world.
IV Winter comes, stern and sharp, like an unpaid landlord, to Our Square, with sleet and gale for its agents of eviction. No longer are the benches blithe with the voice of love or play or gossip. The wind has blown them all away.
Source: Gutenberg

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