Summary

Sanji Kishi The Cannery Boat — The Monument (1933)

We have met together to avenge the death of our teachers, Hamamato, and we must revive our union!” cried Siro, climbing up a pine tree near Ozawa’s house.
Siro was eighteen.
A policeman came from Motomura on a bicycle, but what’s one policeman for over a hundred people? He could no nothing but stand and look on.
“Close up the ranks and no one can drive us away; he is the tool of those who oppress us and killed Hamamato in Tokyo. We do not know when they will kill us. I am an old man of sixty, and if they kill me the young ones will have to revive the union with their own hands!”
Source: Wikisource

Sanji Kishi The Cannery Boat — The Monument (1933)

Old Ogawa had an idea:
“Let’s put up a tomb—no, a monument—in honour of the murdered Hamamato, next to Osawa’s house. They say that Hamamato’s funeral procession became a mass demonstration and that the police broke it up mercilessly. If we put up a monument, those scoundrels are sure to fall upon us, too. And they’re sure to break down our monument. But, never mind that, let us with our own hands make a wonderful monument here. Are our hands worth nothing?”
Source: Wikisource

Sanji Kishi The Cannery Boat — The Monument (1933)

Wide-eyed glances were directed at Hamamato, from whose lips fell scathing words.
“Further ... the landowners in the countryside are not the only tyrants. They are hand-in-glove with the capitalists in the town. To the capitalists in the town belong all the plants and factories, with their huge output and millions of workers. They take all the profits themselves. So you see the relations between the landlord and the poor peasant in the country are just the same as the relations between the capitalist and the workers in the towns.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature