Sarah Pratt Carr

Sarah Pratt Carr

Summary

Portrait of Sarah Pratt Carr Sarah Pratt Carr,  Billy To-morrow's Chums

“ Sydney knew Max did not mean May Nell.
“No, no. She’s lovely to look at and I guess lovely to know; I didn’t notice her much. It’s Miss Carter I mean. There’s a real musician.”
“Is that all you think she is? She’s much more than that,” Sydney defended.
“All! All? To be a real musician is to have tasted divine fire.”
“All the same, I think it’s no compliment to a girl to think only of what she can do,” Sydney persisted with some temper.
“Sydney, you don’t understand. A musician, a real one, doesn’t do things musical; he is them. Hundreds of girls strum on the piano.
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Source: Gutenberg

Portrait of Sarah Pratt Carr Sarah Pratt Carr,  Billy To-morrow's Chums

“ That Max could make exquisite music, do the gallant thing at the right moment, and wear his clothes as if they were king’s ermine—it was all this that made the less gifted, untaught waif of a boy—boy yet though a man in size—rage at himself and hate everyone, Max in particular.
Twice more Max came home radiant, the second time full of plans for more music through that part of the vacation when Bess should be in town, and afterward when both should be in the university. For Max, the housebreaker, had taken a new hold on life, had determined to be a man in the world of best men.
”
Source: Gutenberg

Portrait of Sarah Pratt Carr Sarah Pratt Carr,  Billy To-morrow's Chums

“ It was a solemn moment to Sydney; he felt as if an angel had been near.
“So now my three times because comes right, ant you take this room,” she declared.
“But it is too fine for me.”
“No. Nothing I have iss too fine for you. I want you to feel all the time that the whole world cannot give you too fine a thing. You are a man. God makes you. In his image he makes you. The best cannot be too good if—if you feel always you are a child of the Divine.”
”
Source: Gutenberg

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