Sarah Pratt Carr

Biographical details

Portrait of Sarah Pratt Carr Sarah Pratt Carr Billy To-morrow Stands the Test

All his boyhood Billy had wished he might have lived in the olden days of chivalry, when men gave their lives for the succor of the weak and wronged. The glitter and splendor of court and tournament described in Tennyson’s ringing, singing lines, thrilled him; stirred a passion that he hid within the silence of his own heart, since he found few that understood the feeling. Hugh and May Nell were the only ones of his friends who felt as he did about the ideals of chivalry. Erminie either looked at him in wonder or laughed at him for a visionary.
Source: Gutenberg

Portrait of Sarah Pratt Carr Sarah Pratt Carr Billy To-morrow's Chums

That Max could make exquisite music, do the gallant thing at the right moment, and wear his clothes as if they were king’s ermine—it was all this that made the less gifted, untaught waif of a boy—boy yet though a man in size—rage at himself and hate everyone, Max in particular.
Twice more Max came home radiant, the second time full of plans for more music through that part of the vacation when Bess should be in town, and afterward when both should be in the university. For Max, the housebreaker, had taken a new hold on life, had determined to be a man in the world of best men.
Source: Gutenberg

Portrait of Sarah Pratt Carr Sarah Pratt Carr Billy To-morrow Stands the Test

The others interrupted, calling for songs, little French songs that May Nell sang captivatingly. And after that they had college songs, and a rollicking time. Billy joined, yet with his voice only; his thoughts were lifted to the realm his soul always reached when with May Nell.
Mr. Smith came in, bringing with him a gust of the big out-of-doors; as if his swift flight in his great motor did not stop at the door. He was a man who drew all to him. Children and dogs, men and women, rich and poor. He seemed to have a wealth of power and substance that sufficed for a cityful.
Source: Gutenberg

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