Summary

Portrait of Sebastian Brant Sebastian Brant The Ship of Fools, Volume 1

There was room at that time for a work like the 'Ship of Fools.' It was the first printed book that treated of contemporaneous events and living persons, instead of old German battles and French knights. People are always fond of reading the history of their own times. If the good qualities of their age are brought out, they think of themselves or their friends; if the dark features of their contemporaries are exhibited, they think of their neighbours and enemies. Now the 'Ship of Fools' is just such a satire which ordinary people would read, and read with pleasure.
Source: Gutenberg

Portrait of Sebastian Brant Sebastian Brant The Ship of Fools, Volume 1

Not only in fact and feeling are Barclay's Ship of Fools and Eclogues thoroughly expressive of the unhappy, discontented, poverty-stricken, priest-ridden, and court-ridden condition and life, the bitter sorrows and the humble wishes of the people, their very texture, as Barclay himself tells us, consists of the commonest language of the day, and in it are interwoven many of the current popular proverbs and expressions.
Source: Gutenberg

Portrait of Sebastian Brant Sebastian Brant The Ship of Fools, Volume 1

No folly of the century is left uncensured. The poet attacks with noble zeal the failings and extravagances of his age, and applies his lash unsparingly even to the dreaded Hydra of popery and monasticism, to combat which the Hercules of Wittenberg had not yet kindled his firebrands. But the poet's object was not merely to reprove and to animadvert; he instructs also, and shows the fools the way to the land of wisdom; and so far is he from assuming the arrogant air of the commonplace moralist, that he reckons himself among the number of fools.
Source: Gutenberg

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