Summary

Telford Varley Winchester, Painted by Wilfrid Ball (1910)

Chapel, with Fromond’s chantry used by Lower-school ‘Men,’—for Winchester is remarkable among schools as having two chapels—and the beautiful cloisters behind it, those cloisters which the Founder himself seems almost to pervade and to spiritualize with his presence, is a place to wander in and dream dreams of the past. Hall, approached, as befits its dignity, up a grand old stairway, is splendidly impressive, with its magnificent open timber roof and carved wainscot, and the Founder’s portrait—a picture of real grace and beauty—dominating the high table or dais at the other end.
Source: Gutenberg

Telford Varley Winchester, Painted by Wilfrid Ball (1910)

To deal adequately with Winchester Cathedral would be almost to write the history of England, a task manifestly impossible within the limits of such a work as this. For the Cathedral is not merely a building, but a veritable history in stone, and that not a history—as historic buildings very often are—of a community which has raised but a small eddy in the waters of national life, but of one which has profoundly affected the fortunes of the nation during almost every period of its existence.
Source: Gutenberg

Telford Varley Winchester, Painted by Wilfrid Ball (1910)

Wild disorder, riot and revel, profuse expenditure and pinch of consequent poverty, anarchy and siege and civil warfare in her streets, all followed in turn, till order was at last evolved, and dignified and noble parliaments assembled in her Castle Hall, the symbol of the reign of law that was to follow, and the earnest of that rule by representative assembly which has made our nation—and almost Winchester herself—the mother of parliaments, honoured through the length and breadth of the world.
Source: Gutenberg

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