Summary

The Atlantic Monthly — Literary Notices

“ It is, then, the man in the imagination, the cheerful, healthy, vigorous, sympathetic, good-natured, and broad-natured Walter Scott himself, who, modestly hidden, as he seems to be, behind the characters and scenes he represents, really streams through them the peculiar quality of life which makes their abiding charm. He has been accepted by humanity, because he is so heartily humane,--humane, not merely as regards man in the abstract, but as regards man in the concrete. ”
Source: Wikisource

The Atlantic Monthly — Literary Notices

“ But no English poet can write English poetry except in English,--that is, in that compound of Teutonic and Romanic which derives its heartiness and strength from the one and its canorous elegance from the other. The Saxon language does not sing, and, though its tough mortar serve to hold together the less compact Latin words, porous with vowels, it is to the Latin that our verse owes majesty, harmony, variety, and the capacity for rhyme. ”
Source: Wikisource

The Atlantic Monthly — Literary Notices

“ What a precious feeling of seclusion in having a double wall of centuries between us and the heats and clamors of contemporary literature! How limpid seems the thought, how pure the old wine of scholarship that has been settling for so many generations in those silent crypts and Falernian _amphorae_ of the Past! No other writers speak to us with the authority of those whose ordinary speech was that of our translation of the Scriptures; to no modern is that frank unconsciousness possible which was natural to a period when yet reviews were not ”
Source: Wikisource

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