Summary

The Bakhtyār Nāma: A Persian Romance

Thanksgiving and praise without end, and salutation and eulogium without stint, to the Supreme Benefactor, who is above all commendation—the Holy-One, beyond our imagination! May He be ever exalted on high, the well-furnished table of whose generosity is spread over the surface of the earth, and on the table of whose bounty every ant finds its food in safety! And salutation and praise to all the prophets, and, above all, to our Prophet, who is the Apostle, and the Director of the Path [of God] , and the Prince of Creation, and the purest of created beings—Muhammad, the Elect!
Source: Gutenberg

The Bakhtyār Nāma: A Persian Romance

Tiberius was full of joy and admiration on hearing this reply, ascribing to astrology what was only presence of mind and cunning, cheered the spirits of Trasullus, embraced him, and from that time regarded him as an oracle.—An astrologer foretold the death of a lady whom Louis XI passionately loved. She did, in fact, die, and the King imagined that the prediction of the astrologer was the cause of it. He sent for the man, intending to have him thrown out of the window as a punishment. “Tell me,” said the King, “thou who pretendest to be so clever and learned a man, what thy own fate will be?”
Source: Gutenberg

The Bakhtyār Nāma: A Persian Romance

Gentius, in a note to the Gulistān of Sa`dī, says that “music is in such consideration [in Persia] , that it is a maxim of their sages, that when a king is about to die, if he leaves for his successor a very young son, his aptitude for reigning should be proved by some agreeable songs; and if the child is pleasurably affected, then it is a sign of his capacity and genius, but if the contrary, he should be declared unfit.”—It would appear that the old Persian musicians, like Timotheus, know the secret art of swaying the passions.
Source: Gutenberg

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