Summary

The Living Animals of the World…

The frightful nose, high cheekbones, and pig-like eyes are the basis of the horrible heads of devils and goblins which Albert Dürer and other German or Dutch mediæval painters sometimes put on canvas. Add to the figure the misplaced bright colours—cobalt-blue on the cheeks, which are scarred, as if by a rake, with scarlet furrows, and scarlet on the buttocks—and it will be admitted that nature has invested this massive, powerful, and ferocious baboon with a repulsiveness equalling in completeness the extremes of grace and beauty manifested in the roe-deer or the bird of paradise.
Source: Gutenberg

The Living Animals of the World…

Though so bulky a beast, it swims, dives, rolls over and over, catches seals or fish, or plays both on and under the water with an ease and evident enjoyment which show that it is in its favourite element. One favourite game of the ice-bear is to lie on its back in the water, and then to catch hold of its hind toes with its fore feet, when it resembles a half-rolled hedgehog of gigantic size. It then rolls over and over in the water like a revolving cask. Its footsteps are absolutely noiseless, as the claws are shorter than in the land-bear's, and more muffled in fur.
Source: Gutenberg

The Living Animals of the World…

The hair on the back becomes lighter, almost white in some cases, causing a kind of saddle to appear; and from that time they become known to the shikaries as the saddle-backs of the herd, an object of ambition to the eyes of the true sportsman. It is a pleasant sight to watch a herd of ibex feeding undisturbed, the kids frisking here and there on pinnacles or ledges of rock and beetling cliffs where there seems scarcely safe hold for anything much larger than a grasshopper, the old mother looking calmly on.
Source: Gutenberg

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