Theodore Dreiser

Theodore Dreiser

Summary

Portrait of Theodore Dreiser Theodore Dreiser The Lost Phœbe (1916)

It was a moonlight night. The green-lichen-covered orchard was a silvery affair, sweetly spectral. The moon shone through the east windows, throwing the pattern of the panes on the wooden floor, and making the old furniture, to which he was accustomed, stand out dimly in the gloom. As usual he had been thinking of Phœbe and the years when they had been young together, and of the children who had gone, and the poor shift he was making of his present days. The house was coming to be in a very bad state indeed.
Source: Wikisource

Portrait of Theodore Dreiser Theodore Dreiser The Lost Phœbe (1916)

Old Henry Reifsneider and his wife Phœbe were a loving couple. You perhaps know how it is with simple natures that fasten themselves like lichens on the stones of circumstance and weather their days to a crumbling conclusion. The great world sounds widely, but it has no call for them. They have no soaring intellect. The orchard, the meadow, the corn-field, the pig-pen, and the chicken-lot measure the range of their human activities. When the wheat is headed it is reaped and threshed; when the corn is browned and frosted it is cut and shocked
Source: Wikisource

Portrait of Theodore Dreiser Theodore Dreiser The Lost Phœbe (1916)

All the rest of life is a far-off, clamorous phantasmagoria, flickering like Northern lights in the night, and sounding as faintly as cow-bells tinkling in the distance.
Old Henry and his wife Phœbe were as fond of each other as it is possible for old people to be who have nothing else in this life to be fond of.
Source: Wikisource

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