Summary

Thomas Carr Howe Salt mines and castles: The discovery and restitution of looted European art (1946)

During dinner we noticed a man pacing about the garden below. He was Walter Andreas Hofer, who had been Göring’s agent and adviser in art matters. A shrewd and enterprising Berlin dealer before the war, Hofer had succeeded in ingratiating himself with the Reichsmarschall. He, more than any other single individual, had been responsible for shaping Göring’s taste and had played the stellar role in building up his priceless collection of Old Masters.
Source: Gutenberg

Thomas Carr Howe Salt mines and castles: The discovery and restitution of looted European art (1946)

Knowing how hard it was to obtain building materials for even the most historic monuments when people didn’t have a roof over their heads, we couldn’t reassure him with much conviction.
The spectacle of ruined Würzburg had a depressing effect upon us, so we weren’t very talkative on our way back to Frankfurt. We passed through only one town of any size, Aschaffenburg, which, like Würzburg, had suffered severe damage. Although I had not been long in Germany and had seen but few of her cities, I was beginning to realize that the reports of the Allied air attacks had not been exaggerated.
Source: Gutenberg

Thomas Carr Howe Salt mines and castles: The discovery and restitution of looted European art (1946)

We represent no organized movement or institution. We merely wish as American citizens to go on record by appealing to our government to set right an ill considered action arising from an error of judgment which, however disinterested in intention, has already done much to weaken our national condemnation of German sequestrations of the artistic heritage or possessions of other nations under the subterfuge of “protective custody,” or openly as loot.
Source: Gutenberg

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