Thomas De Quincey

Thomas De Quincey

Summary

Portrait of Thomas De Quincey Thomas De Quincey The Caesars

The Roman pride never shows itself more conspicuously throughout all history, than in the alienation of heart which inevitably followed any great and continued outrages upon his own majesty, committed by their emperor. Cruelties the most atrocious, acts of vengeance the most bloody, fratricide, parricide, all were viewed with more toleration than oblivion of his own inviolable sanctity. Hence we imagine the wrath with which Rome would behold Commodus, under the eyes of four hundred thousand spectators, making himself a party to the contests of gladiators.
Source: Gutenberg

Portrait of Thomas De Quincey Thomas De Quincey The Caesars

It is in fact no vinculum of social organization which held them together, but the ideal vinculum of a common fealty, and of submission to the same sceptre. This is not like the tie of manners, operative even where it is not perceived, but like the distinctions of geography—existing to-day, forgotten to-morrow—and abolished by a stroke of the pen, or a trick of diplomacy. Russia, again, a mighty empire, as respects the simple grandeur of magnitude, builds her power upon sterility.
Source: Gutenberg

Portrait of Thomas De Quincey Thomas De Quincey The Caesars

Formerly, if the emperor knew himself to be surrounded with assassins, he might at least make his throne, so long as he enjoyed it, the couch of a voluptuary. The "ave imperator!" was then the summons, if to the supremacy in passive danger, so also to the supremacy in power, and honor, and enjoyment. But now it was a summons to never-ending tumults and alarms; an injunction to that sort of vigilance without intermission, which, even from the poor sentinel, is exacted only when on duty. Not Rome, but the frontier; not the aurea domus, but a camp, was the imperial residence.
Source: Gutenberg

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