Thomas Morrison

“ The first act is very excellent, & with a few slight alterations, would be a most affecting opening of a Tragedy. In the second act the scene of Iphigenia is also extremely beautiful and interesting; but the other parts of the act have no dramatick merit. The circumstance so much insisted on of Clytemnestra’s dressing (tho’ I believe in Euripides) wd. appear ridiculous on our stage: and the scenes of Memnon and Achilles are weak & illwritten, tho’ the entrance of Achilles at that juncture might afford a spirited & interesting scene. ”

“ The other painters are named--Vanderveld and, inevitably, Claude. The late Miss Manwaring would not have been surprised to learn that more space is devoted to Claude than to the others. Then almost precisely at the half-way point a pleasing trance is interrupted by the portrait of a “hoary sage,” perhaps, Mr. Kirkwood suggests, the portrait Reynolds had recently completed of the Rev. Zachariah Mudge, then seventy-two years of age, who had been since 1737 a fellow prebendary of Morrison’s at Exeter, and whom Reynolds described as “the wisest man he had ever met.” ”

“ The “lax and lawless versification” of this type of v poetry, he wrote in the Life of Cowley, “concealed the deficiencies of the barren, and flattered the laziness of the idle.” One cannot but wonder therefore at his praise of Morrison’s ode. To be sure, Reynolds quotes Johnson as pronouncing it “superior to any Poem of the kind that has been publish’d these many years,” and Johnson may well have considered praise of this sort as he did lapidary inscriptions. It may be worth noting, however, that none of his recorded comments on Pindaric verse antedate the publication of this ode. ”

“ Hooper Morrison followed his father into the Church and became Rector of Atherington near Barnstaple. In 1769 he bought the property of Yeo Vale, some five miles from Great Torrington. Eleanora Morrison, who never married and seems to have lived with her father until his death, sat to Reynolds in her younger days; the portrait then painted, which was formerly at Yeo Vale, shows her in profile and wearing a blue velvet mantle edged with ermine. ”

“ Reynolds had a number of relatives living in Great Torrington. In the summer of 1762 when he and Dr. Johnson went to Devonshire they were entertained by Morrison. Johnson’s published letters prove that he did not forget Morrison, and Reynolds was soon painting the portrait of Morrison’s daughter. In the summer of 1766 Morrison sent his ode to Reynolds. The following January he learned that Johnson, “as severe a Critic as old Dennis,” praised it and ordered it to be published. Reynolds himself must have arranged for the publication. ”

“ His ode is Pindaric in the late seventeenth-century sense. In his brief preface he explains that he has sought to please us iii “with a little variety of wild music,” believing “that the perpetual recurrence of the same measure in such a multiplicity of stanzas would have been rather languid and fatiguing.” An examination of the poem shows that Morrison has carried his desire for variety to the extreme. The poem consists of thirty-five stanzas, not one of which repeats both the metrical pattern and rhyme scheme of any other. ”

“ The personages are all suffered to languish, tho’ in situations which require the utmost animation & force. Clytemnestra & Iphigenia, though defective, are indeed better sustained than the rest, but the consequence of the Atridae hardly survives the first act, and Achilles never maintains any consequence at all.
The same remark may in general be applied to the fifth act as to the foregoing. The management of the catastrophe might perhaps admit of alteration. ”

“ It may also have been in 1731, though possibly earlier, that he went down into Devon to act as tutor to John Basset of Heanton Court near Barnstaple--a step which was, as things turned out, to make him a resident of that county for the rest of his life. His pupil’s father had died in 1721, leaving a widow, Elizabeth, the only daughter and eventual heiress of Sir Nicholas Hooper, Sergeant-at-Law. ”

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“ The presentations to these livings were made as follows: to Wear Giffard by Lord Clinton, Lord Lieutenant of the county from 1721 to 1733, whose seat was at Castle Hill near Barnstaple; to High ix Bickington and to Littleham by John Basset of Heanton--who was patron of half a dozen livings; to Langtree by John Rolle Walter of Bicton in South Devon and Stevenstone House near Great Torrington, Member of Parliament for Exeter.
These parishes all lie within six miles of Great Torrington where Morrison appears to have been resident from at least as early as 1750. ”

“ Coleman [sic] as well as myself is allways so full of business that I have not been able to meet with him so often as I could wish, however when we do meet I have endeavourd to press him to complete the negociation by Letter as I found it impossible to persuade you to come to Town. ”

“ This is an elegant and ingenious descriptive poem. The author supposes himself viewing several pieces of historic, landskip, and portrait painting; and from thence takes occasion to represent the figures, prospects, and passions, which the artist has exhibited. As the poet has touched upon various topics, he has very properly used many different kinds of metre.” The review in the Monthly (vol. 39, p. 316, in the monthly catalogue for October) , written by John Langhorne, as Professor Nangle’s Index shows, was less favorable. “There is great variety in the numbers of this ode ”

“ Abstineat sociare risum?
and continues for a further sixteen stanzas.
xi
There is nothing to show to whom the next letter was written, though, considering the later ones, it seems likely that it was addressed to Joshua Reynolds. It concerns a tragedy (on the subject of the Emperor Otho) of which Morrison was undoubtedly the author. John Beard, on whose behalf the letter was written in February, 1763, had become manager of Covent Garden Theatre in the previous year. ”

“ The last of the three letters from Reynolds to Morrison is dated March 2, 1771. Notwithstanding the rejection of “Otho,” its author had written a second tragedy, the manuscript of which was among the xv papers at Yeo Vale, according to a note made in 1917 by the late Major J. H. Morrison Kirkwood.
Dear Sir,
Nothing would give me greater uneasiness [than] if you should suspect that my not answering your Letter proceeded from neglect, it would be a shamefull return for the kindness I have allways experienced from you, the truth is Mr. ”

“ At the same Time, tho’ unknown, I beg leave, with great Deference, to subscribe myself,
There now follow the three surviving letters from Joshua Reynolds in London to Thomas Morrison in Devon. Whether or not the two men had known each other before, they certainly met when Reynolds visited his sister, Mrs. Palmer of Great Torrington, during his Journey into the west country with Johnson in 1762. According to Reynolds’ engagement book, Morrison was his host on August 27 of that year; while a letter written by Johnson, after returning to London, contains a message for “Dr. ”