Umeshchandra Bhattacharjee

Summary

Umeshchandra Bhattacharjee The Calcutta Review, 3rd Series… (1925)

All works of art—all music and poetry—nay, probably all display of scientific imagination and consequent discovery—must henceforth be branded as ‘degenerate.’ It is a morbid, diseased mind—a hypochondriac, that produces music; poetry is an acute form of sentimentality and diseased imagination. And the same is of course true of all other manifestations of genius.
So, not only is genius a disease, but whatever it produces is also degenerate. If no special value is attached to the ravings of a mad man, why should we applaud poetry to the seventh sky?
Source: Wikisource

Umeshchandra Bhattacharjee The Calcutta Review, 3rd Series… (1925)

For genius, on the contrary, we have nothing but adoration. He transcends the ordinary man. He has the ordinary man in him and much more besides. He begins just where an ordinary man stops—and therein lies his greatness. If the imaginative or musical faculty of an ordinary man steps at a particular point, that of a man of genius goes much further beyond; that is why he is great. He deviates from the type, but does so with advantage. And unlike the criminal, a genius is adored rather than condemned, inspite of the fact, that, he, too, like the criminal, is a deviation from the type.
Source: Wikisource

Umeshchandra Bhattacharjee The Calcutta Review, 3rd Series… (1925)

Although there are crimes which verge on genius and evoke a similar admiration, and, although even murder may sometimes become a ‘fine art,’ still, according to ordinary judgment, crime is sub-normal, while genius is super-normal; and, morally speaking, the one is supermoral, while the other is submoral. Evidently, moral judgment condemns crime but excuses and even applauds genius. It seems to be presumed that moral judgment must stop with the ordinary man and must not attempt to soar or to clip the wings of genius.
Source: Wikisource

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