Summary

Portrait of Upton Sinclair Upton Sinclair The Brass Check: A Study of American Journalism

To the argument that the taking of power by the workers is the substitution of one kind of class tyranny by another kind of class tyranny, the answer, complete and final, is that there is no need of the capitalist class as a class and that the world will be a happier place for all men when the members of that class have become workers, either of hand or brain. When that has been done, there will be no classes, therefore no class tyranny, and no incentive to class lying. Thus, and thus only, shall we break the power of the capitalist press—by breaking the power of capitalism.
Source: Gutenberg

Portrait of Upton Sinclair Upton Sinclair The Brass Check: A Study of American Journalism

When newspapers lie about a strike, they lie about every one of the strikers, and every one of these strikers and their wives and children and friends know it. When they see deliberate and long-continued campaigns to render them odious to the public, and to deprive them of their just rights, not merely as workers, but as citizens, a blaze of impotent fury is kindled in their hearts. And year by year our newspapers go on storing up these volcanic fires of hate-against the day when labor will no longer be impotent!
Source: Gutenberg

Portrait of Upton Sinclair Upton Sinclair The Brass Check: A Study of American Journalism

The real temptation of the great Metropolis is not the exquisite ladies with unsatisfied emotions; it is that if you refuse to bow the knee to the Mammon of its Unrighteousness you become an outcast in the public mind. You are excluded from all influence and power, you are denied all opportunity to express yourself, to exercise your talents, to bring your gifts to fruition. One of the reasons “The Metropolis” had a comparatively small sale was because I had refused to do the conventional thing—to show a noble young hero struggling in the net of an elegant siren.
Source: Gutenberg

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