Summary

Various Blackwood's Edinburgh Magazine…

Is it any marvel now that round the visible object should associate tributary feelings of pleasure? How many pleasing and tender sentiments gather round the rose! Yet the rose is beautiful in itself. It was beautiful to the child by its colour, its texture, its softly-shaded leaf, and the contrast between the flower and the foliage. Love, and poetry, and the tender regrets of advanced life, have contributed a second dower of beauty. The rose is more to the youth and to the old man than it was to the child; but still to the last they both feel the pleasure of the child.
Source: Gutenberg

Various Blackwood's Edinburgh Magazine…

If any one will reflect on the many ideas that cluster round this beautiful flower, he will not fail to see how numerous and subtle may be the association formed with the visible object. Even an idea painful in itself may, by way of contrast, serve to heighten the pleasure of others with which it is associated. Here the thought of decay and fragility, like a discord amongst harmonies, increases our sentiment of tenderness. We express, we believe, the prevailing taste when we say that there is nothing, in the shape of art, so disagreeable and repulsive as artificial flowers.
Source: Gutenberg

Various Blackwood's Edinburgh Magazine…

There must be something else that is the beautiful, by association with which it passes for such. We answer, that we do not resolve all into association; that we have in this one gift of colour, shed so bountifully over the whole world, an original beauty, a delight which makes the external object pleasant and beloved; for how can we fail, in some sort, to love what produces so much pleasure?
We are at a loss to understand how any one can speak with disparagement of colour as a source of the beautiful.
Source: Gutenberg

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