Summary

Various Punch, or the London Charivari…

Dorice was smiling upon me—yes, smiling! She leant forward eagerly and touched my hand.
"You've been to Naughton Hall!" she whispered delightedly; "but, my dear old boy, it's simply the dance of the season round here! All these people would do anything to get invited. The Perrys only gave this dance so that they could use it as a sort of excuse for not being seen at the Naughton Hall one!"
Source: Gutenberg

Various Punch, or the London Charivari…

Here there is no fixed or formal posing, if we except the attitude adopted (after a preliminary and irrelevant twiddle) by certain Nymphs to indicate, appropriately enough, their grief over the inanimate form of Daphnis. The dances in which, to the mutual suspicion of the lovers, Chloë was circled by the men and Daphnis by the maidens, were a pure delight. There was one movement, when heads were tossed back and then brought swiftly forward over hollowed breasts and lifted knees that had in it an exquisite fleeting beauty.
Source: Gutenberg

Various Punch, or the London Charivari…

In spite of all you can do in the way of avoiding soliloquies and getting your characters on and off the stage in a dramatic manner, a time will come when you realise sadly that your play is not a bit like life after all. Then is the time to introduce a meal on the stage. A stage meal is popular, because it proves to the audience that the actors, even when called George Alexander or Arthur Bourchier, are real people just like you and me.
Source: Gutenberg

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