Summary

Various Punch, or the London Charivari…

While the more obvious and melodramatic situations—such as the death of L'Aiglon or the business of the sentry—are treated at great leisure, it is assumed that all historical allusions, however necessary to an understanding of the situation, will be as tedious to the audience as to the players, and they are rushed through—as in the mirror scene—-at a pace that baffles our halting pursuit.
If any male character lends itself to interpretation by a woman, it is such a character as L'Aiglon, who, for all his spasms of martial ardour, was half feminine.
Source: Gutenberg

Various Punch, or the London Charivari…

I would not ask to be spared the knowledge of anything faced by other people while I sat immune at home, but there are many incidents which cannot with decency or dignity be served up in fiction to add a thrill to the enjoyment of an hour's light reading. Miss JOAN SUTHERLAND would have done well to have left detail to more serious exponents, and to have discarded entirely one scene of bestial cruelty which has no real bearing on her tale. Never in a novel—and seldom in historical accounts of fighting—have I been asked to wallow in so much gore.
Source: Gutenberg

Various Punch, or the London Charivari…

To know that you can't draw and to be told so by your friends are two very different things. Honnell can't draw, but hates his inseparable Swan to tell him so. Honnell's sketches have hitherto been criticised only by people who also wanted their drawing flattered. Swan learned bluntness on the Yukon. So they are an odd pair to be chumming now in the Arctic circle. They are so friendly that they will tramp together for half a day and exchange scarcely so much as a grunt of conversation.
Source: Gutenberg

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