Summary

Various The Atlantic Monthly, Volume 07…

This Ideal, this Aphrodite of old mythologies, still reigns over the world of Art, and every truly noble effort of the artist is saturated with her spirit, as with a religion. It is impossible for a true work of Art to exist, unless this great creative principle of Love be present in its inception, in its execution, in its detail. It must be pervaded with the warmth of human, passionate affection. The skill which we are so apt to worship is but the instrument in the hands of Love. It is the means by which this humanity is transferred to the work, and there idealized in the forms of Nature.
Source: Gutenberg

Various The Atlantic Monthly, Volume 07…

But the immortal songs which remain unsung, the exquisite idyls which gasp for words, the bewildering and restless imagery which seeks in vain the eternal repose of marble or of canvas,—while these confess the affectionate and divine desires of humanity, they prove how few there are to whom it is given to learn the great lesson of Creation. When one arises among us, who, like Pygmalion, makes no useless appeal to the Goddess of Beauty for the gift of life for his Ideal, and who creates as he was created, we cherish him as a great interpreter of human love.
Source: Gutenberg

Various The Atlantic Monthly, Volume 07…

We look reverently upon its tortured marbles and its canvases stained with academic knowledge as revelations of higher intelligence; forgetting, that, if we go down to the quiet places of our own souls, we shall find there the universe reflected, like a microcosm, in the dark well-springs, and that out of these well-springs in the deep silence rises the beautiful Ideal, Anadyomene, to compensate and comfort us for the vacancy of Life. If we know ourselves, it is not to the dogmas of critics, the artificial rules of aesthetics, that we most wisely resort for judgments concerning works of Art.
Source: Gutenberg

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