Victor Hugo

Victor Hugo

Summary

Portrait of Victor Hugo Victor Hugo Man Who Laughs (1869)

He perceived the woman, and became Satan. The flesh is the covering of the soul. It entices, strange to say, by its very modesty. Nothing could be more distracting. It is full of shame, the hussy!
It was passion rather than love which was then agitating Gwynplaine, and holding him in its power. What dark things lurk beneath the fairness of Venus! Something within him was calling aloud for Dea,—Dea the maiden, Dea the other half of a man, Dea flesh and flame! This cry was almost driving away the angel. Mysterious crisis through which all love must pass, and in which the Ideal is imperilled.
Source: Wikisource

Portrait of Victor Hugo Victor Hugo Man Who Laughs (1869)

It was bliss to Dea to touch, as she did every evening, the crisp, tawny locks of Gwynplaine. In love there is nothing like habit. The whole of life is concentrated in it. The reappearance of the stars is the custom of the universe. Creation is nothing but a mistress, and the sun a lover. Light is a dazzling caryatide supporting the world. Every day, for one sublime moment, the earth shrouded by night rests on the rising sun. Dea, blind, felt a similar return of warmth and hope within her when she placed her hand on Gwynplaine's head.
Source: Wikisource

Portrait of Victor Hugo Victor Hugo Man Who Laughs (1869)

Hence it is that we are prone to wander out in the night, without an object. At that hour there was no one in the fair-ground, except, perhaps, some reeling drunkard, making wavering shadows in dark corners. The empty taverns were shut up, and the lower room in the Tadcaster Inn was dark, except where, in some corner, a solitary candle lighted a last reveller. A faint light gleamed through the window-shutters of the half-closed tavern as Gwynplaine, pensive, content, and dreaming, enveloped in a haze of divine joy, paced backwards and forwards in front of the half-open door.
Source: Wikisource

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