Summary

Portrait of W. B. Yeats W. B. Yeats John Sherman; and, Dhoya

The Square gate brought them to a stop. It was locked, but she had the key. The lock was stiff, but turned easily for John Sherman.
“How strong you are,” she said.
It was an iridescent evening of spring. The leaves of the bushes had still their faint green. As Margaret darted about at the tennis, a red feather in her cap seemed to rejoice with its wearer. Everything was at once gay and tranquil. The whole world had that unreal air it assumes at beautiful moments, as though it might vanish at a touch like an iridescent soap-bubble.
Source: Gutenberg

Portrait of W. B. Yeats W. B. Yeats John Sherman; and, Dhoya

The Donegal headlands mixed with the surrounding blue. The stars grew out of heaven.
Sometimes he got up and walked to and fro. Hours passed. The stars, the streams down in the valley, the wind moving among the boulders, the various unknown creatures rustling in the silence—all these were contained within themselves, fulfilling their law, content to be alone, content to be with others, having the peace of God or the peace of the birds of prey. He only did not fulfil his law; something that was not he, that was not nature, that was not God, had made him and her he loved its tools.
Source: Gutenberg

Portrait of W. B. Yeats W. B. Yeats John Sherman; and, Dhoya

Its rocky centre, covered with many bushes, rose some forty feet above the lake. Often when life and its difficulties had seemed to him like the lessons of some elder boy given to a younger by mistake, it had seemed good to dream of going away to that islet and building a wooden hut there and burning a few years out, rowing to and fro, fishing, or lying on the island slopes by day, and listening at night to the ripple of the water and the quivering of the bushes—full always of unknown creatures—and going out at morning to see the island’s edge marked by the feet of birds.
Source: Gutenberg

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