W. R. Lethaby

“ It is perhaps in the noble craft of mosaic that the foreshadowings of the new art are best seen. There is a sign in them of the coming wave of the great change which was to turn late Roman art, the last of the old, into Byzantine art, the first of the new.” Mr. Powell, who repaired the Orpheus Pavement at the Barton, Cirencester, and became thoroughly acquainted with the powerfully-drawn animals on it, says: “These creatures of the forest have been set out here in the tiny scraps of coloured stone with an ease and mastery that is remarkable. ”

“ Provincial Roman painting is not fine as compared with the great things in either Greek or Gothic art, but we must remember, in comparing it with anything we can obtain to-day, that it was the ordinary journeyman decorator’s work of the time. It is certainly far beyond the standard of common work which we reach to-day; and Roman London, on the testimony of the arts, must have been quite a civilised place. ”

“ We have every right to assume that the torso in the London Museum may be called the Thames. There is some reason, from the conditions of discovery, to think that this figure and the Genius before described occupied places in a Mithraic cell by the Walbrook. That a river impersonation and a genius of locality should be so found together strengthens the evidence that they represented London and Father Thames. Modern figures of the Thames and other rivers existed in seventeenth-century London. ”

“ London Saints.—Bishop Augulus and Restitutus of London ought to be commemorated in some way in the City. We are singularly wasteful of the power there is in the antiquities of a nation when sympathetically understood. If, for instance, Patrick had been recognised for the great British personage he was—the son and grandson of Christian parents captured to be a slave in Ireland—the magnanimous missionary might have been a mediator between the Irish and ourselves, a mixed race, part English, part British and part Roman. ”

“ Alexandria was probably the chief centre from which the new experimenting spirit radiated. We may agree, however, that in the centuries of the Roman occupation, Britain like Gaul became educated and absorbed the foreign culture with some national difference. In attempting to give some account of Roman building and minor arts in London, I wish to bring out and deepen our sense of the antiquity and dignity of the City, so as to suggest an historical background against which we may see our modern ways and works in proper perspective and proportion. ”

“ WALL PAINTINGS AND MARBLE LININGS BY putting together, in our imagination, the mosaic floors, the fragments of wall paintings, and the marble linings, we can gain a fairly certain knowledge of what the finer Roman interiors in Londinium were like, and we may further add to the impression by remembering the many precious objects in silver, bronze, pottery and glass, which are in our museums. Broken remnants of wall paintings have been found in large quantities, and pieces are preserved at the British, the Guildhall, and the London Museums, also at the Society of Antiquaries. ”

“ A FEW broken fragments only remain to us, but they are sufficient to suggest to our imaginations the sculptures of Londinium. The finest work of sculpture found in London is the magnificent head from a bronze statue of the Emperor Hadrian, which was taken from the river near London Bridge in 1834. The head, with the neck, is 161⁄2 in. high. It is really a masterly work of art, of Hellenistic character, and may, I think, be Alexandrian. The treatment of the head and beard is surprisingly like that of the marble Hadrian from Cyrene in the British Museum. ”

“ Cemeteries THE site of London by a noble tidal river, or rather at the head of a long estuary, on clean gravel ground intersected with streams, was well chosen. The ground was open heath with scrubby vegetation, except for woods here and there where the soil was suitable. Sir Thomas More planned his “Utopia” on a site similar to that of London. The buildings of London have spoilt an excellent golf course! The walled city set down in the fair land must have been beautiful indeed, as seen from the Hampstead or Surrey hills. ”

“ Any idea of thought in decoration is difficult for us to apprehend. The records of the pavements which have been found in Britain deserve study from this point of view. The whole art of the time witnesses not only to the professional skill of artists, but to the thoughts and desires of the provincial Romans—and natives too, doubtless—who demanded such works. ”

“ Wattle and Daub.—It was ever a problem in London how to build without stone. Wood, gravel and mud were plentiful, and these were the common walling materials during the Middle Ages. As lately as the eighteenth century some of the suburban churches were described by Hatton as being of “boulder work,” that is, a concrete of coarse gravel; and the walls of the Temple Church, before the falsifying restorations, were of some sort of concreted rubble skinned over with plaster on the face. Hearne reports that Wren said that there were few masons in London when he was young. ”

“ Foliage.—In the London Museum is a morsel of pilaster, about as big as an open hand, having small leafage painted on a brown-red ground. The leaves are sharp and struck in in a masterly way; it is really beautiful (Fig. 115) . The leaves spread from a central stem or line, and it is a part of a suspended festoon, I think, rather than of a growth of foliage. This must be the fragment found in Southwark. “The débris of Roman villas, with pavements, ornamental bowls, and pieces of painted plaster have been found. ”

“ The London floor found at the Excise Office was very like the mosaics at Bignor in both the patterns and figure work. The same pavements resemble others found at Silchester, and also the Cirencester and Woodchester mosaics. A pavement found at Stonesfield, near Woodstock, had a wreath of foliage springing from a head similar to that of Woodchester. It is obvious that elaborate works in isolated villas cannot have been home-made, and it is likely that this group at least was the work of craftsmen established in some central city. ”

“ Haverfield writes (J.R.S., vol. i.) : “The citizens appear to have been Roman or definitely Romanised. Of Roman speech in London we have an isolated but sufficient proof. A tile dug up in Warwick Lane, in 1886, bore an inscription, meaning, apparently, ‘Austalis (Augustalis) goes off on his own every day for a fortnight.’ It seems to follow that some of the bricklayers [makers] of Londinium could write Latin. In the lands ruled by Rome, education was better under the Empire than at any time since until about 1848. The occupations of these Roman or Romanised civilians are unknown to us. ”

“ A large number of rubbish pits have been found within the walls. Putting these facts together it is evident that the original site of Londinium must have been by the inlet of the Walbrook, and it is probable that this little tidal creek was the first port of London—the seaport of Celtic Verulam, to which an old road led by Aldersgate and Islington. It is likely that before the Roman walls were built some defensive bank would have been thrown up between the Fleet and the Walbrook; compare the earth banks at Colchester. ”

“ Doubtless the site may have been occupied by some dwellers in the Stone Age. For many centuries before the Roman conquest Britain had been in commercial relations with the Continent. Just before the conquest Verulam was the capital of the leading Celtic kingdom. This Brito-Belgic kingdom had its southern boundary along the Thames and its eastern at the Lea, and these are still boundaries of Middlesex. If this kingdom, with its capital some twenty miles inland, had any sea-borne trade, its port must have been on or near the site of London. ”

“ One found at South-fleet, now at the British Museum, was coloured purple and decorated with gilding, as is recorded on a drawing at the Society of Antiquaries, made when it was newly found.
The site of London is still unexhausted; even while I am writing this I see in the morning’s paper, “Recent excavations in Lothbury have brought to light relics of Roman occupation—bone bodkins, oyster shells and broken pottery. The bodkins are large, and it is thought that they were probably used in mat-making.” London must have been an art-producing centre for two thousand years. ”

“ Evidence for the practice of arts in Londinium is really considerable. It was doubtless first of all a port, and probably originated as the seaport of the pre-Roman city of Verulamium; but it became the largest city in Britain, the chief distributing centre and the artistic capital. We are apt to think 194of Dover, or rather Richborough, as the chief port of the country, but London itself was the largest consumer, and the line of traffic was rather to the mouth of the Rhine than to Boulogne. Londinium was a little Alexandria in the West, and represented Britain as the other did Egypt. ”

“ In the Roman corridor at the British Museum is a fragment from the North of England, described as the upper part of a niche, which can hardly be other than the top of a grave slab; on it are two peacocks between three pine-cones. Peacocks were symbols of immortality. The baskets of fruit carved on the Haydon Square tomb could only have one meaning. Compare a Gaulish tomb illustrated by Espèrandieu (iii., No. 1789) , on which is carved a peacock pecking at the fruit from such a basket, which is upset towards it. ”

“ Roman books and correspondence were written in such hands, and Dr. Haverfield has pointed out, as such scribblings on tiles were obviously in many cases by labourers in the brickfields, it follows that the common people in British towns had come to talk Latin. Dr. Haverfield went on to question whether town workmen even spoke Celtic. “Had they known Celtic well, it is hardly credible that they should not have sometimes written in that language. No such scrawl has been found in Britain. This total absence of Celtic cannot be mere accident” (Romanization) . ”

“ Half an hour a day for one week would teach much to any one who was ready to learn and did not want to do everything by genius.
We have in England a great number of fine Roman inscriptions, and it would be an excellent piece of work to gather a selection into an example-book of illustrations based on corrected rubbings. Even the inscriptions of London carefully studied would be subject-matter for a delightful and valuable essay.
1. The finest London inscription is that on a tomb front in the British Museum (Fig. 120) . ”

“ There is grace in their gesture that has seldom been reached in the art of even the highest period of the life of a nation.” The Woodchester Orpheus Pavement, which, judging from points of resemblance in design and details (a horned and bearded griffin, for instance) , must have been by the same master, was a magnificent work, as, indeed, the fragment of its splendid border in the British Museum is enough to show.
Completer lists of London mosaics than I can attempt here have been given in other places (see Morgan’s Romano-British Mosaics, C. Roach Smith’s Roman London, and V.C.H.) . ”

“ A wall found on the site of the Mansion House seems to have had only one row of piles; it was plastered outside.
Tile Walling.—The brick commonly used in Rome was a crude or unbaked block; the burnt walling tile was, as said above, developed from 15pottery, and it always remained pottery-like in texture and thin in substance. As Mr. T. May has said of bricks: “They were made of heavy clay, well tempered and long exposed; the modern practice is to use the lightest possible clay right off without tempering.” ”