Waldo David Frank

Waldo David Frank

Summary

Portrait of Waldo David Frank Waldo David Frank The unwelcome man (1917)

Hope, love, life danced and beckoned. Quincy knew he must escape them. Hope, love, life—these were the nadirs of pain, these were the ecstasies to be annihilated. How?
He was weary. He was weary of all things. Most, he was weary of good things—things one dreams of, things one spins out one’s life in fashioning. And now, with Clarice’s letter in his hand, these things threatened to be born—to be born again? Hope and love and life, they might really be, with him so weary? All of his years had been the travail of their first stirring, of their first impulse for the sun. He must begin afresh?
Source: Gutenberg

Portrait of Waldo David Frank Waldo David Frank The unwelcome man (1917)

New Yorkers suffer such inclemency of life that the least inclemency of weather rids them of spirit. So Quincy had advanced through the Park without a thrill of nature. Though he was a messenger of her spirit—he who ran bare-headed through the woods—this cut-in mass of rocks and trees had no voice for him. The girders of steel and stone that on all sides bound the Park have smothered the soul which that fragment of forest must once have had. Central Park is a half-dead thing, at best. Its winter snows are grey; its summer trees are grey; its autumn fever is a wasting chill without the flame.
Source: Gutenberg

Portrait of Waldo David Frank Waldo David Frank The unwelcome man (1917)

Quincy is unabashed by this joy that holds him, when his mother holds him, making him warm and needless; making him happy to revert to a complete dark dependence. For Quincy has no morality. He has only logic. He is in the hand of love. And he is willing.
His world broadens vastly. His power to embrace his world soon meets its limit. It seems, then, that his world has shrunk. The cruel process of unfolding is incessant with its burden of surprises. All of life, then, assumes surprise as its tonal color. All of life becomes a swelling forth from self into new shadows.
Source: Gutenberg

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