Ward Moore

Transient (1960)

Summary

Ward Moore,  Transient (1960)

“ There were scars on the rugged ground as from landslides, great bites where the drop was sheer and jagged rocks stood out like drifting teeth, but none of the slips could have been recent for the mounds at their feet were firm-looking and grassy. They rounded still another curve and the elevator slowed to a stop.
The clerk, who had clung protectively to the controls, straightened up and looked inquiringly over his shoulder. Lampley stared back at him. "All out," said the clerk, waving his hands. The birds fluttered, cawed and shrieked, flying through the open door with an angry whir of wings.
”
Source: Gutenberg

Ward Moore,  Transient (1960)

“ The clerk bent over the control lever as though in prayer, the birds were all still and unmoving. Passing the shining white tiles Lampley strained to catch the faint sound of the pianos. He could not be sure he heard it, still less that he hadn't. The walls of the shaft gradually became a pale green, deepening into skyblue so natural they seemed to expand outward.
Smoothly the elevator tilted at an angle just steep enough to force him to put one foot on the side of the cage in order to stay upright. The clerk, clinging to the lever, had no trouble. They slid down the incline at moderate speed.
”
Source: Gutenberg

Ward Moore,  Transient (1960)

“ He passed between rows of statues, animal-headed gods, men and women wearing conventionalized wigs and beards in stylized poses. The pale light gave the reds, greens and blues which predominated, a chalky, muffled quality; it threw the looped crosses molded on the frieze into shadowed relief.
The air was dank with the penetrating, pervasive dampness of oozing stone. Lampley was oppressed by thoughts of decay and destruction, of the knowledge without the sensation of pain. He longed for the warmth of the sun outside the hotel or the climate of the island under the earth.
”
Source: Gutenberg

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