Summary

Portrait of Willa Cather Willa Cather One of Ours — “Bidding the Eagles of the West Fly On” (1922)

The intervals of the distant artillery fire grew shorter, as if the big guns were tuning up, choking to get something out. Claude sat up in his bed and listened. The sound of the guns had from the first been pleasant to him, had given him a feeling of confidence and safety; tonight he knew why. What they said was, that men could still die for an idea; and would burn all they had made to keep their dreams. He knew the future of the world was safe; the careful planners would never be able to put it into a straight-jacket,—cunning and prudence would never have it to themselves.
Source: Wikisource

Portrait of Willa Cather Willa Cather One of Ours — “Bidding the Eagles of the West Fly On” (1922)

She began again, and David followed. Madame Fleury sat with half-closed eyes, looking into the fire. Claude, his lips compressed, his hands on his knees, was watching his friend’s back. The music was a part of his own confused emotions. He was torn between generous admiration, and bitter, bitter envy. What would it mean to be able to do anything as well as that, to have a hand capable of delicacy and precision and power? If he had been taught to do anything at all, he would not be sitting here tonight a wooden thing amongst living people.
Source: Wikisource

Portrait of Willa Cather Willa Cather One of Ours — “Bidding the Eagles of the West Fly On” (1922)

Little black yew trees, that had not been visible in the green of summer, stood out among the curly yellow brakes. Through the grey netting of the beech twigs, stiff holly bushes glittered.
It was the Wheeler way to dread false happiness, to feel cowardly about being fooled. Since he had come back, Claude had more than once wondered whether he took too much for granted and felt more at home here than he had any right to feel. The Americans were prone, he had observed, to make themselves very much at home, to mistake good manners for good-will.
Source: Wikisource

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