Summary

Portrait of Arnold Bennett Arnold Bennett Over There: War Scenes on the Western Front

They have left everything behind them, and yet they have left nothing. Each knows his lot in the immense tragedy. Nobody can realise the whole of the tragedy. It defies the mind; and, moreover, the horror of it is allayed somewhat by the beautiful forms which ruin—even the ruin of modern ugly architecture—occasionally takes. The effect of the pallor of a bedroom wall-paper against smoke-blackened masonry, where some corner of a house sticks up like a tall, serrated column out of the confusion, remains obstinately in the memory, symbolising, somehow, the grand German deed.
Source: Gutenberg

Portrait of Arnold Bennett Arnold Bennett Over There: War Scenes on the Western Front

It is a gun. A faint puff of smoke is pointed out to us. Neither the rumble nor the transient cloudlet makes any apparent impression on the placid and wide dignity of the scene. Nevertheless, this is war. And war seems a very vague, casual, and negligible thing. We are led about fifty feet to the left, where in a previous phase a shell has indented a huge hole in the earth. The sight of this hole renders war rather less vague and rather less negligible.
“There are eighty thousand men in front of us,” says an officer, indicating the benign shimmering, empty landscape.
Source: Gutenberg

Portrait of Arnold Bennett Arnold Bennett Over There: War Scenes on the Western Front

The abandonment of a main line in a civilised country is a thing unknown, a thing contrary to sense, an impossible thing, so that one wonders whether one is not visiting the remains of a civilisation dead and definitely closed. Very strange thoughts pass through the mind. That portion of the main line cannot be used by the Germans because it is within the French positions, and it cannot be used by the French because it is utterly exposed to German artillery. Thus, perhaps ten kilometres of it are left forlorn to illustrate the imbecile brutality of an invasion.
Source: Gutenberg

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