William Allan Reed

Summary

William Allan Reed Negritos of Zambales

When executed at night in the light of a bonfire this dance is most grotesque and terrible. The naked black bodies, gleaming in the fire, the blood-curdling yells, and the demoniacal figures of the howling, leaping dancers, remind one of the Indian war dances.
The dance seems to be a relic of more barbarous days when the Negritos were, in truth, savages. They say that they never kill a prisoner in this manner now, but that when they find it necessary to put a man to death they do it in the quickest manner possible with a single blow of the knife.
Source: Gutenberg

William Allan Reed Negritos of Zambales

The bride was still firm in her opinion that the amount offered was insufficient. I had supplied myself with some cheap jewelry, and a few trinkets satisfied her desires; so the “music” again started. Louder it became—wilder—resounding with a thousand echoes, and as the nude bodies of the Negritos glided at lightning speed from the glare of one torchlight to the other, with no word uttered but a continual clangor of the metal gongs, one thought that here was a dance of devils.
Source: Gutenberg

William Allan Reed Negritos of Zambales

The Negrito can not by any stretch of imagination be called a worker. His life for generations has not been such as to teach habits of industry. But for the fact that he has to do some work or starve, he would spend all his days in idleness except that time which he devoted to the chase. Yet when under pressure or urged on by anticipation of gain from the white man, whose wealth and munificence appear boundless, he is tireless. He will clear ground for a camp, cut and split bamboo, and make tables and sleeping platforms, which he would never think of doing for himself.
Source: Gutenberg

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