Summary

Portrait of William Carleton William Carleton The Black Prophet: A Tale Of Irish Famine

Mave Sullivan!—help me up, Biddy.”
“I am here, dear Sarah,” replied the gentle girl—“I am here; keep yourself quiet and don't attempt to sit up; you're not able to do it.”
The composed and serene aspect of Mave, and the kind, touching tones of her voice, seemed to operate favorably upon her, and to aid her in collecting her confused and scattered thoughts into something like order.
“Oh, dear Mave,” said she, “what is this? What has happened? Isn't there something wrong? I'm confused. Have I a mother? Have I a livin' mother, that will love me?”
Source: Gutenberg

Portrait of William Carleton William Carleton The Black Prophet: A Tale Of Irish Famine

Upon the occasion we write of, nothing met you, go where you might, but suffering, and sorrow, and death, to which we may add, tumult, and crime, and bloodshed. Scarcely a family but had lost one or more. Every face you met was an index of calamity, and bore upon it the unquestionable impressions of struggle and hardship. Cheerfulness and mirth had gone, and were forgotten. All the customary amusements of the people had died away. Almost every house had a lonely and deserted look; for it was known that one or more beloved beings had gone out of it to the grave.
Source: Gutenberg

Portrait of William Carleton William Carleton The Black Prophet: A Tale Of Irish Famine

I'm a lonely creature,” she proceeded, bursting into bitter tears; “I'm without friends and relations, or any one that cares at all about me—”
“Don't say so,” replied Mave, “I care about you, an' it's only now that people is beginning to know you—but that's not all, Sarah, if it's any consolation to you to know it—know it—Condy Dalton loves you—ay, loves you, Sarah M'Gowan—you may take my word for that—I am certain this day that what I say is true.”
Source: Gutenberg

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