William Elliot Griffis

William Elliot Griffis

Summary

Portrait of William Elliot Griffis William Elliot Griffis,  Corea: The Hermit Nation (1911)

“ Corea has for centuries successfully carried out the policy of isolation. Instead of a peninsula, her rulers have striven to make her an inaccessible island, and insulate her from the shock of change. She has built not a Great Wall of masonry, but a barrier of sea and river-flood, of mountain and devastated land, of palisades and cordons of armed sentinels. Frost and snow, storm and winter, she hails as her allies. Not content with the sea-border she desolates her shores lest they tempt the mariner to land. ”
Source: Gutenberg

Portrait of William Elliot Griffis William Elliot Griffis,  Corea: The Hermit Nation (1911)

“ This apparition of a human head rising above the tall grass of the burial-ground may be the original of Japanese pictures of the ghosts and spirits which seem to rise dark and windblown out of the wet grass. Often the carving in Corean grave-yards is so rude as to be almost indistinguishable.
Mourning is of many degrees and lengths, and is betokened by dress, abstinence from food and business, visits to the tomb, offerings, tablets, and many visible indications, detailed even to absurdity. Pure, or nearly pure white is the mourning color, as a contrast to red, the color of rejoicing.
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Source: Gutenberg

Portrait of William Elliot Griffis William Elliot Griffis,  Corea: The Hermit Nation (1911)

“ Nothing is kept secret, and being a nation of gossips and loungers, the news of any event, or the expression of a fresh idea, spreads like fire on the prairie. A doctrine so startlingly new, and preached as it was by men already famous for their learning, would at once excite the public curiosity, set all tongues running, and fire many hearts. Though in most cases the new flame would soon die out, leaving hardly enough ashes to mark a fire, yet the steady glow of altered lives would not pale even before torture and death. ”
Source: Gutenberg

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