Homer Bezalee Hulbert

Summary

Homer Bezalee Hulbert The passing of Korea (1906)

The lofty crags that lift their heads three thousand feet into the air and almost overhang the city of Seoul are alpine in their grandeur. There is always distance, openness, sweep to a Korean view which is quite in contrast to the picturesque coziness of almost all Japanese scenery. This, together with the crystal atmosphere, make Korea, even after only a few years' residence, a delightful reminiscence. No people surpass the Koreans in love for and appreciation of beautiful scenery.
Source: Wikisource

Homer Bezalee Hulbert The passing of Korea (1906)

As to colour in art, the Koreans are still as primitive as in ancient days. Their red is the red of blood or of the peppers that lie ripening on their roofs. Their green is the vivid green of the new-sprouting rice or the dark blue-green of the pinetree. Nature's colours are in their art as nature's sounds are in their wonderfully mimetic language.
Source: Wikisource

Homer Bezalee Hulbert The passing of Korea (1906)

The Korean Emperor and people have always looked to us as the one power that had no political wire to pull, no axe to grind, no purely selfish policy to carry out. But in the face of all this, we have been the first to push her over the brink, to accept the outrage of November 17, 1905, without loud and instant protest. Why did the world objurgate the failure of Russia to keep her promises in Manchuria and condemn her as the international felon and then turn about and allow Japan to stultify herself tenfold worse in Korea without protest?
Source: Wikisource

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