William Hale White

William Hale White

Summary

Portrait of William Hale White William Hale White Clara Hopgood

When they were crossing Bedford Square on their return Clara happened to say amongst other commonplaces,—
‘What a relief a quiet space in London is.’
‘I do not mind the crowd if I am by myself.’
‘I do not like crowds; I dislike even the word, and dislike “the masses” still more. I do not want to think of human beings as if they were a cloud of dust, and as if each atom had no separate importance. London is often horrible to me for that reason. In the country it was not quite so bad.’
‘That is an illusion,’ said Baruch after a moment’s pause.
Source: Gutenberg

Portrait of William Hale White William Hale White Clara Hopgood

One of Mr Palmer’s favourite ballads was The Three Ravens. Its pathos unfits it for an ordinary drawing-room, but as the music at Mr Palmer’s was not of the common kind, The Three Ravens was put on the list for that night.
‘She was dead herself ere evensong time. With a down, hey down, hey down,
God send every gentleman
Such hawks, such hounds, and such a leman. With down, hey down, hey down.’
Frank knew well the prayer of that melody, and, as he listened, he painted to himself, in the vividest colours, Madge in a mean room, in a mean lodging, and perhaps dying.
Source: Gutenberg

Portrait of William Hale White William Hale White Clara Hopgood

Every one was as dense with foliage as if there had been no struggle for life, and the leaves sang their sweet song, just perceptible for a moment every now and then in the variations of the louder music below them. It is curious that the sound of a weir is never uniform, but is perpetually changing in the ear even of a person who stands close by it. One of the arches of the bridge was dry, and Clara went down into it, stood at the edge and watched that wonderful sight—the plunge of a smooth, pure stream into the great cup which it has hollowed out for itself.
Source: Gutenberg

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