Arnold Bennett

Definition and stakes

Portrait of Arnold Bennett Arnold Bennett The Price of Love

Thomas Batchgrew and Louis were already out in the hall. Half-way down the stairs stood Mrs. Maldon, supporting herself by the banisters and being supported by Mrs. Tams. She was wearing her pink peignoir with white frills at the neck and wrists. Her black hair was loose on her shoulders like the hair of a young girl. Her pallid and heavily seamed features with the deep shining eyes trembled gently, as if in response to a distant vibration. She gazed upon the two silent men with an expression that united benignancy with profound inquietude and sadness.
Source: Gutenberg

Portrait of Jane Ellen Harrison Jane Ellen Harrison Ancient Art and Ritual

The art of Mr. Arnold Bennett gets its 247bigness, its collectivity, in part—from extension over time. Far from seeking after beauty, he almost goes out to embrace ugliness. He does not spare us even dullness, that we may get a sense of the long, waste spaces of life, their dreary reality. We are keenly interested in the loves of hero and heroine, but all the time something much bigger is going on, generation after generation rolls by in ceaseless panorama; it is the life not of Edwin and Hilda, it is the life of the Five Towns.
Source: Gutenberg

Portrait of Arnold Bennett Arnold Bennett A Man from the North

Larch," the nurse called pleasantly.
The patient, supported by pillows, was sitting upright in bed, and as Richard entered he looked towards the door with the expression of an unarmed man on the watch for an assassin. His face was drawn and duskily pale, but on each cheek burned a red flush; at every cruel inspiration the nostrils dilated widely, and the shoulders were raised in a frenzied effort to fill the embarrassed lungs.
"Well, Mr. Aked," Richard greeted him, "here I am, you see."
Source: Gutenberg

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