Aunt Emily

Definition and stakes

Portrait of Lucy Maud Montgomery Lucy Maud Montgomery,  Emily of New Moon (1923)

“ Aunt Elizabeth had become used to having Emily at New Moon but she had not drawn any nearer to the child. This hurt Emily always; but Aunt Laura and Cousin Jimmy loved her and she had Saucy Sal and Rhoda, fields creamy with clover, soft dark trees against amber skies, and the madcap music the Wind Woman made in the firs behind the barns when she blew straight up from the gulf; her days became vivid and interesting, full of little pleasures and delights, like tiny, opening, golden buds on the tree of life. ”
Source: Wikisource

Various,  Punch, or the London Charivari…

“ Rage overtook me. I disinterred Aunt Emily's own gramophone and records. I packed the horn anyhow. Such of the records as seemed difficult to get in I broke into small pieces and shoved in corners. I nailed the packing-case up with the same nails and addressed it in the boldest and fiercest of characters to Aunt Emily and caught the railway-van on the rebound. The deed was done.
I laughed "Ha, ha!" I laughed "Ho, ho!" I would teach Aunt Emily to return me my own vase.
Next morning came a letter. As I read it perspiration burst out on my forehead. Language the most awful burst from my lips.
”
Source: Gutenberg

Portrait of L. M. Montgomery L. M. Montgomery,  Emily Climbs (1925)

“ Emily detested Mother Hubbards as heartily as Aunt Elizabeth herself did. They were worse she considered, even than the hated “baby aprons” of her first summer at New Moon. She knew she looked ridiculous in Aunt Laura’s Mother Hubbard, which came to her feet, and hung in loose, unbeautiful lines from her thin young shoulders; and Emily had a horror of being “ridiculous.” She had once shocked Aunt Elizabeth by coolly telling her that she would “rather be bad than ridiculous.” ”
Source: Wikisource

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