Melesina Chenevix St. George Trench, The remains of the late Mrs. Richard Trench (1862)
“ The show was all that Oriental pomp, feudal ceremonial, and British wealth could unite. The processions in The Curse of Kehama, and in Rimini, with the painting of Belshazzar’s Feast, were continually recalled to my memory. The conflict of the two lights from the blaze of artificial day mixing with a splendid sunshine, the position of the King’s table, the pomp of the banquet, with its vessels of gold and silver, the richness of the dresses, and a thousand other particulars, rendered the resemblance so perfect, it seemed as if the Feast had been in some degree copied from the picture. ”
