Christian art

Definition and stakes

J. Beavington Atkinson,  Overbeck

“ This indwelling light of the soul should be recognised in every creation of his pencil, expressive as a spoken word; and in this lies the peculiar vitality of Christian beauty, and the cause of the remarkable difference between Classic and Christian art." "Physical beauty is employed by the Christian painter but as a material veil, from beneath which the hidden divinity of the soul shines forth, illuminating all mortal life with the higher spirituality of love." ”
Source: Gutenberg

Various,  The Catholic World, Vol. 15, Nos…

“ Is not the Christian religion a system of things invisible, visibly manifested? The end of religion is spiritual, but in order to attain this end it must possess a visible and material element. This fact of itself gives to art a religious mission of the highest order.
This mission is to proclaim to the world Jesus Christ and him crucified and glorified—by poetry, by song, by painting, by architecture, in a word, by every artistic creation of which genius is capable.
Jesus Christ is the beau ideal of art—the most lovely and beautiful conception of the divine mind itself.
”
Source: Gutenberg

Various,  The Catholic World, Vol. 01, April to September…

“ No, it is the Catholic Church alone that can stamp upon the painter's productions the supernatural impress of those notes by which she herself is recognizable as true.
There is a unity of intention, scope, and spirit in Catholic art of every age and clime. Like the doctrines and devotions of the Church, Catholic art, in all its various forms—symbolical, historical, devotional, ideal—ever revolves round one centre, and is referable to one exemplar. Divine beauty "manifest in the flesh"—the image of the Father clothed in human form and living in the Church—he is the inspirer of Christian art.
”
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature