Commissar

Definition and stakes

Portrait of Robert Louis Stevenson Robert Louis Stevenson,  New Arabian Nights

“ There were the two figures before the Commissary’s house, each bolt upright, with head thrown back and eyes interrogating the starry heavens; the guitar wailed, shouted, and reverberated like half an orchestra; and the voices, with a crisp and spirited delivery, hurled the appropriate burden at the Commissary’s window. All the echoes repeated the functionary’s name. It was more like an entr’acte in a farce of Molière’s than a passage of real life in Castel-le-Gâchis. ”
Source: Gutenberg

Portrait of Jules Claretie Jules Claretie,  The Crime of the Boulevard

“ The Commissary, before entering, took a comprehensive survey of the room, and said in a short tone: "Every one must go out. Madame, make all these people go out. No one must enter."
There arose an uproar—each one tried to explain his right to be there. They were all possessed with an irresistible desire to assist at this sinister investigation.
"But we belong to the press!"
"The reporters may enter when they have showed their cards," the Commissary replied. "The others—no!" There was a murmur from the crowd.
”
Source: Gutenberg

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