Eannatum

Definition and stakes

L. W. King,  A History of Sumer and Akkad

“ On the Stele of the Vultures, Eannatum and his soldiers are sculptured with thick hair flowing from beneath their helmets and falling on their shoulders. But they have shaven faces, and, in view of the fact that on the same monument all the dead upon the field of battle and in the burial mounds have shaven heads, like those of the Sumerians assisting at the burial and the sacrificial rites, we may regard the hair of Eannatum and his warriors as wigs, worn like the wigs of the Egyptians, on special occasions and particularly in battle. ”
Source: Gutenberg

L. W. King,  A History of Sumer and Akkad

“ The great stele of Eannatum, from the text upon which we have taken much of the description of his war with Umma, is the most striking example of early Sumerian art that has come down to us, and the sculptures upon it throw considerable light upon the customs and beliefs of this primitive race. The metaphor of the net, for example, which is employed by Eannatum throughout the curses he calls down upon Umma, in the event of any violation of the treaty, is strikingly illustrated by a scene sculptured upon two of the fragments of the stele which have been recovered. ”
Source: Gutenberg

L. W. King,  A History of Sumer and Akkad

“ These two columns definitely refer to Eannatum's reign and describe certain acts of piety which he performed in the service of his gods. They record work carried out in E-ninnû, by which the heart of Ningirsu was rejoiced; the naming and dedication of some portion of E-anna, the temple of the goddess Ninni; and certain additions made to the sacred flocks of the goddess Ninkharsag. The repetition of the phrase referring to Ninni's temple [2] suggests a disconnected list of Eannatum's achievements in the service of his gods, rather than a connected narrative. ”
Source: Gutenberg

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