Edward Oxford

Definition and stakes

Portrait of Edward Thomas Edward Thomas,  Oxford

“ And yet steeped in sentiment as she lies, spreading her gardens to the moonlight, and whispering from her towers the last enchantments of the Middle Age, who will deny that Oxford, by her ineffable charm, keeps ever calling us nearer to the true goal of all of us, to the ideal, to perfection,—to beauty, in a word, which is only truth seen from another side?—nearer, perhaps, than all the science of Tübingen. Adorable dreamer, whose heart has been so romantic! who hast given thyself so prodigally, given thyself to sides and to heroes not mine, only never to the Philistines! ”
Source: Gutenberg

Portrait of Edward Thomas Edward Thomas,  Oxford

“ No one is so married to his surroundings as he, and while he appears to many to be shaped by them—beautiful or grotesque—as an animal in a shell; to a few he appears also to shape them, so that Oxford in his company is a new thing, as if it were the highest, last creation of the modern mind. He does not acquiesce in the limp mediævalism of the rest, but recreates the Middle Ages for himself, finding new humanities in the sculptures, and beauties in the perspective, strange sympathies between the monkish work and the voices and faces of those who sit amidst it. ”
Source: Gutenberg

John Ashton,  Gossip in the First Decade of Victoria's Reign

“ As numberless strange and conflicting rumours have been propagated, relative to the treatment experienced by Edward Oxford, in his place of incarceration, the curiosity of the visitor on this head was, naturally, great, especially as it is generally understood that those who are favoured with permission p. 138to visit Bethlehem, are not allowed to see Oxford. This is not, however, the fact. In a compartment of the establishment, principally allotted to those who are supposed to have committed heinous crimes in moments of madness, Edward Oxford is confined. ”
Source: Gutenberg

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