Fra Girolamo

Definition and stakes

Portrait of George Eliot George Eliot,  Romola

“ Yet this tonsured Girolamo with the high nose and large under lip was an immensely clever Frate, mixing with his absurd superstitions or fabrications very remarkable notions about government: no babbler, but a man who could keep his secrets. Tito had no more spite against him than against Saint Dominic. On the contrary, Fra Girolamo’s existence had been highly convenient to Tito Melema, furnishing him with that round of the ladder from which he was about to leap on to a new and smooth footing very much to his heart’s content. ”
Source: Gutenberg

Portrait of George Eliot George Eliot,  Romola (1863)

“ See, there are our old Piero di Cosimo and Nello coming up the Borgo Pinti, bringing us their flowers. Let us go and wave our hands to them, that they may know we see them."
"How queer old Piero is," said Lillo, as they stood at the corner of the loggia, watching the advancing figures. "He abuses you for dressing the altar, and thinking so much of Fra Girolamo, and yet he brings you the flowers."
"Never mind," said Romola. "There are many good people who did not love Fra Girolamo. Perhaps I should never have learned to love him if he had not helped me when I was in great need."
”
Source: Wikisource

Portrait of George Eliot George Eliot,  Romola

“ And the purer the government of Florence would become—the more secure from the designs of men who saw their own advantage in the moral debasement of their fellows—the nearer would the Florentine people approach the character of a pure community, worthy to lead the way in the renovation of the Church and the world. And Fra Girolamo’s mind never stopped short of that sublimest end: the objects towards which he felt himself working had always the same moral magnificence. ”
Source: Gutenberg

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