W. C. Brownell, French Art: Classic and Contemporary Painting and Sculpture
“ While he was painting his still life and domestic genre, the whole fantastic whirl of Louis Quinze society, with its æsthetic standards and accomplishments—accomplishments and standards that imposed themselves everywhere else—was in agitated movement around him without in the least affecting his serene tranquillity, his almost sturdy composure. There can rarely have been such an instance as he affords of an artist's selecting from his environment just those things his own genius needed, and rejecting just what would have hampered or distracted him. ”
