Niccolò Jommelli

Definition and stakes

1911 Encyclopædia Britannica, Volume 15… (1911)

Three years afterwards he went to Rome to bring out two new operas, and thence to Bologna, where he profited by the advice of Padre Martini, the greatest contrapuntist of his age. In the meantime Jommelli’s fame began to spread beyond the limits of his country, and in 1748 he went for the first time to Vienna, where one of his finest operas, Didone, was produced.
Source: Wikisource

Giorgio Vasari Lives of the most Eminent Painters Sculptors and Architects…

But he found to his cost that the judgments of men, in expecting too much from others, are often deceived, and that the men who change their condition also change more often than not their nature and their will. For after arriving in Milan, where he found Domenico raised to such greatness that he had no little difficulty in getting speech of him, Niccolò related to him all his troubles, and then besought him that he should help him by making use of his [Pg 278] services
Source: Gutenberg

The Art of Music, Vol. 02 (of 14…

He handled Metastasio’s texts with an eye to their psychological moments, and infused into his scores much of dramatic truth. In breaking up the monotonous sequence of solos, characteristic of the fashionable Neapolitan opera, he actually anticipated Gluck. All in all, Jommelli’s work was so unusually strong and intensive that we wonder why he fell short of accomplishing the reform that was imminent.
Source: Gutenberg

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