Nikolai Nekrasov

“ Living witnesses of tears Shed for the world, and born In moments of the soul's dire agony, Unheeded and forlorn, Like waves that beat against the rocks, You plead to hearts that scorn.
Nekrassov's material conditions meanwhile began to improve, and he actually developed business capacities, and soon the greatest writers of the time were contributing to the monthly review Sovremenik (the Contemporary) which Nekrassov bought in 1847. ”

“ The bride, with her father's curse upon her, passed straight from her sheltered existence in her luxurious home to all the unsparing rigours of Russian camp-life. Bred in an atmosphere of maternal tenderness and Polish refinement she had now to share the life of her rough, uncultured Russian husband, to content herself with the shallow society of the wives of the camp officers, and soon to be crushed by the knowledge that the man for whom she had sacrificed everything was not even faithful to her. ”

“ Nekrassov became the idol of Russia. The literary evenings at which he used to read his poems aloud were besieged by fervent devotees, and the most brilliant orations were addressed to him on all possible occasions. ”

“ The Elder dives straight
In the midst of the people;
He asks himself wildly,
"Now, what's to be done?"
He makes for the edge
Of the crowd, where are sitting
The journeying strangers;
His voice is like honey:
"Come one of you forward; 310
You see, you are strangers,
He wouldn't touch you."
But they are not anxious
To face the Pomyéshchick,
Although they would gladly
Have helped the poor peasants.
He's mad, the old Barin,
So what's to prevent him
From beating them too?
"Well, you go, Román," 320
Say the two brothers Góobin,
"You love the Pomyéshchicks." ”

“ But Ruskin's education lacked features with which young Nekrassov on his journeys soon became familiar. While acquiring knowledge of life and accumulating impressions of the beauties of nature, Nekrassov listened, perforce, to the brutal, blustering speeches addressed by his father to the helpless, trembling peasants, and witnessed the cruel, degrading corporal punishments he inflicted upon them, while his eyes were speedily opened to his father's addiction to drinking, gambling, and debauchery. ”

“ That's so,—is it not?"
(He turns his broad face round
And looks at the peasants.)
And then the sharp woman,
Klím's gossip, Orévna,
Makes answer for them:
"Yes, Klím, Son-of-Jacob,
The hay of the Barin 100
Is surely more precious
Than ours. We must tend it
As long as the weather lasts;
Ours may come later."
"A woman she is,
But more clever than you,"
The Pomyéshchick says smiling,
And then of a sudden
Is shaken with laughter:
"Ha, ha! Oh, you blockhead! 110
Ha? ha! fool! fool! fool!
It's the 'Barin's term,' say you? ”

“ Drank like a fish, and his lord was disconsolate,
No one could please him: "You fools, go to Hell!"
Hate in each bosom since long has been festering:
Now for revenge! Now the Barin must pay,
Roughly they deal with his whims and infirmities,
Two quite unbearable weeks pass away.
Then the most faithful of servants appeared again, 170
Straight at the feet of his master he fell,
Pity has softened his heart to the legless one,
Who can look after the Barin so well?
"Barin, recall not your pitiless cruelty,
While I am living my cross I'll embrace." ”

“ In his poetical works of later years Nekrassov repeatedly returns to and dwells upon the memory of the sorrowful, sweet image of his mother. The gentle, beautiful lady, with her wealth of golden hair, with an expression of divine tenderness in her blue eyes and of infinite suffering upon her sensitive lips, remained for ever her son's ideal of womanhood. Later on, during years of manhood, in moments of the deepest moral suffering and despondency, it was always of her that he thought, her tenderness and spiritual consolation he recalled and for which he craved. ”

“ A born Little Russian,
The Barin once brought him
Away from his home,
With a promise to send him
To Italy later.
But long the Pomyéshchick
Has been in strange parts
And forgotten his promise;
And now the poor fellow
Would be but too glad 320
To get back to his village.
There's nothing to do here,
He hasn't a farthing,
There's nothing before him
And nothing behind him
Excepting his voice.
You have not really heard it;
You will if you stay here
Till sunrise to-morrow:
Some three versts away 330
There is living a deacon,
And he has a voice too. ”

“ When Nekrassov was eleven years of age his father one day drove him to the town nearest their estate and placed him in the local grammar-school. Here he remained for six years, gradually, though without distinction, passing upwards from one class to another, devoting a moderate amount of time to school studies and much energy to the writing of poetry, mostly of a satirical nature, in which his teachers figured with unfortunate conspicuity. ”

“ Of all the great Russian writers not one has contributed more to the interpretation of the enigmatical soul of the moujik than Russia's great poet, Nekrassov, in his life-work the national epic, Who can be Happy in Russia?
There are few literate persons in Russia who do not know whole pages of this poem by heart. It will live as long as Russian literature exists; and its artistic value as an instrument for the depiction of Russian nature and the soul of the Russian people can be compared only with that of the great epics of Homer with regard to the legendary life of ancient Greece. ”

“ Don't move, or I shoot!"
"How can we be brigands?"
The peasants say, laughing,
"No knives and no pitchforks,
No hatchets have we!"
"Who are you? And what 30
Do you want?" said the Barin.
"A trouble torments us,
It draws us away
From our wives, from our children,
Away from our work,
Kills our appetites too,
Do give us your promise
To answer us truly,
Consulting your conscience
And searching your knowledge, 40
Not sneering, nor feigning
The question we put you,
And then we will tell you
The cause of our trouble." ”

“ A SKETCH OF HIS LIFE Western Europe has only lately begun to explore the rich domain of Russian literature, and is not yet acquainted with all even of its greatest figures. Treasures of untold beauty and priceless value, which for many decades have been enlarging and elevating the Russian mind, still await discovery here. Who in England, for instance, has heard the names of Saltykov, Uspensky, or Nekrassov? ”

“ The sight and knowledge of deep human suffering, framed in the soft voluptuous beauty of nature in central Russia, could not fail to sow the seed of future poetical powers in the soul of an emotional child. His mother, who had been bred on Shakespeare, Milton, and the other great poets and writers of the West, devoted her solitary life to the development of higher intellectual tendencies in her gifted little son. ”

“ The iron reaction of the then Emperor Nicholas I. made independent political activity an impossibility. But the horrible and degrading conditions of serfdom which existed at that time, and which cast a blight upon the energy and dignity of the Russian nation, nourished feelings of grief and indignation in the noblest minds of the educated classes, and, unable to struggle for their principles in the field of practical politics, they strove towards abstract idealism. They devoted their energies to philosophy, literature, and art. ”

“ The decade which followed upon 1855 was one of the bright periods of Russian history. Serfdom was abolished and many great reforms were passed. It was then that Nekrassov's activity was at its height. His review Sovremenik was a stupendous success, and brought him great fame and wealth. During that year some of his finest poems appeared in it: "The Peasant Children," "Orina, the Mother of a Soldier," "The Gossips," "The Pedlars," "The Rail-way," and many others. ”

“ He had no time to devote to the working out of his poems, and it would not have "paid" him. He was obliged to accept any literary job that was offered him, and to execute it with a promptitude necessitated by the requirements of his daily bill of fare. ”

“ With tears in his eyes Byelinsky embraced Nekrassov and said to him:
"Do you know that you are a poet, a true poet?"
This decree of Byelinsky brought fame to Nekrassov, for Byelinsky's word was law in Russia then, and his judgement was never known to fail. His approval gave Nekrassov the confidence he lacked, and he began to devote most of his time to poetry.
The epoch in which Nekrassov began his literary career in St. Petersburg, the early forties of last century, was one of a great revival of idealism in Russia. ”

“ Turgenieff, Herzen, Byelinsky, Dostoyevsky gladly sent their works to him, and Nekrassov soon became the intellectual leader of his time. His influence became enormous, but he had to cope with all the rigours of the censorship which had become almost insupportable in Russia, as the effect of the Tsar's fears aroused by the events of the French Revolution of 1848. ”

“ The Barin rehearses. 150
God's curse, the Tsar's anger,
He hurls at the heads
Of obstreperous peasants.
And strictly gives order
To sweep from the commune
All senseless ideas,
Bids the peasants remember
That they are his slaves
And must honour their master.
"Our Fathers," cried Klím, 160
And his voice sounded strangely,
It rose to a squeak
As if all things within him
Leapt up with a passionate
Joy of a sudden
At thought of the mighty
And noble Pomyéshchicks,
"And whom should we serve
Save the Master we cherish?
And whom should we honour? 170
In whom should we hope? ”

“ The impressionable boy decided to abandon the idea of his military career, and to prepare for his matriculation in the university. He wrote to his father to this effect, and received the stern and laconic reply:
"If you disobey me, not another farthing shall you receive from me."
The youth had made his mind up, however, and entered the university as an unmatriculated student. And that was the beginning of his long acquaintance with the hardships of poverty.
"For three years," said Nekrassov in after life, "I was hungry all day, and every day. ”

“ Luká cries, "The pope!"
And Román, "The Pomyéshchick!"
And Prov shouts, "The Tsar!"
And Demyán, "The official!"
"The round-bellied merchant!"
Bawl both brothers Goóbin,
Mitródor and Ívan.
Pakhóm shrieks, "His Lordship, 130
His most mighty Highness,
The Tsar's Chief Adviser!"
The obstinate peasants
Grow more and more heated,
Cry louder and louder,
Swear hard at each other;
I really believe
They'll attack one another!
Look! now they are fighting! ”

“ It was then that Tolstoy, Turgenieff, and Dostoyevsky embarked upon their phenomenal careers in fiction. It was then that the impetuous essayist, Byelinsky, with his fiery and eloquent pen, taught the true meaning and objects of literature. Nekrassov soon joined the circles of literary people dominated by the spirit of Byelinsky, and he too drank at the fountain of idealism and imbibed the gospel of altruistic toil for his country and its people, that gospel of perfect citizenship expounded by Byelinsky, Granovsky, and their friends. ”

“ Produced by Jonathan Ingram, Tapio Riikonen and PG
Distributed Proofreaders
WHO CAN BE HAPPY AND FREE IN RUSSIA? BY NICHOLAS NEKRASSOV Translated by Juliet M. Soskice
With an Introduction by Dr. David Soskice
1917
[Illustration: Nicholas Nekrassov]
NICHOLAS ALEXEIEVITCH NEKRASSOV Born, near the town Vinitza, province of Podolia, November 22, 1821
Died, St. Petersburg, December 27, 1877.
'Who can be Happy and Free in Russia?' was first published in Russia in 1879. In 'The World's Classics' this translation was first published in 1917. ”

“ For the pope, and what feasting
All over the village!
But now that is ended, 330
Pomyéshchicks are scattered
Like Jews over Russia
And all foreign countries.
They seek not the honour
Of lying with fathers
And mothers together.
How many estates
Have passed into the pockets
Of rich speculators!
O you, bones so pampered 340
Of great Russian gentry,
Where are you not buried,
What far foreign graveyard
Do you not repose in?
"Myself from dissenters [12]
(A source of pope's income)
I never take money,
I've never transgressed,
For I never had need to ”

“ The sons of the Barin
Come hurrying to them;
"How foolish you are, Klím!
Our father has sent us,
He's terribly angry
That you are so long, 350
And don't bring the offender."
"We can't bring him, Barin;
A stranger he is,
From St. Petersburg province,
A very rich peasant;
The devil has sent him
To us, for our sins!
He can't understand us,
And things here amuse him;
He couldn't help laughing." 360
"Well, let him alone, then. ”

“ Oh, say, Russian people,
These names—have you heard them?
They're great. They were borne
By your champions, who loved you,
Who strove in your cause,
'Tis their little portraits
Should hang in your houses!
"I'd walk into Heaven 420
But can't find the doorway!"
Is suddenly shouted
By some merry blade.
"What door do you want, man?"
"The puppet-show, brothers!"
"I'll show you the way!"
The puppet-show tempted
The journeying peasants;
They go to inspect it.
A farce is being acted, 430
A goat for the drummer;
Real music is playing—
No common accordion. ”

“ Yet Saltykov is the greatest of Russian satirists; Uspensky the greatest story-writer of the lives of the Russian toiling masses; while Nekrassov, "the poet of the people's sorrow," whose muse "of grief and vengeance" has supremely dominated the minds of the Russian educated classes for the last half century, is the sole and rightful heir of his two great predecessors, Pushkin and Lermontov.
Russia is a country still largely mysterious to the denizen of Western Europe, and the Russian peasant, the moujik, an impenetrable riddle to him. ”