Reanda

Definition and stakes

F. Marion Crawford,  Casa Braccio, Volumes 1 and 2

“ Accustomed as she was to living with her father, who was gloomy and morose, and to seeing much of Paul Griggs, whose powers of silence were phenomenal at that time, Reanda's easy grace of conversation charmed and flattered her. He was, by many degrees, the superior in talent, in charm, in learning, to any one she had ever met, and it must not be forgotten that although he was twenty years older than she, he was not yet forty, and that, as he had not a grey hair in his head, he could still pass for a young man, though his grave disposition made him feel older than he was. ”
Source: Gutenberg

F. Marion Crawford,  Casa Braccio, Volumes 1 and 2

“ How illogical you are!"
"I believe I excepted Raphael," said Dalrymple, with his national accuracy. "But Signor Reanda will not quarrel with me on that account, I am sure."
"But I did not except Raphael, nor any one," persisted Gloria, before Reanda could speak.
"Really, Signorina, though I am mortal and susceptible, you go a little too far. Flattery is not appreciation, you know."
"It is not flattery," she answered, and the colour rose in her face. "I am quite in earnest. Nobody ever painted anything better than your Cupid and Psyche. Raphael's is dull and uninteresting compared with it."
”
Source: Gutenberg

F. Marion Crawford,  Casa Braccio, Volumes 1 and 2

“ The fact that she was acting for Griggs, and knew it, made her dread to write anything to Reanda which could possibly seem insincere. No aspiring young author ever took greater pains over his work than she sometimes bestowed upon the composition of these letters, or judged his work more conscientiously and severely than she. And the result was that she told of her life with wonderful sincerity and truth. Truth was her only luxury in the midst of the great lie she had to sustain. ”
Source: Gutenberg

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