Thomas Byrd

Definition and stakes

Portrait of William Barclay Squire William Barclay Squire,  Dictionary of National Biography… (1886)

“ BYRD, WILLIAM (1538?–1623) , musical composer, is generally supposed to have been the son of Thomas Byrd, a gentleman in the Chapel Royal under Edward VI and Mary. This statement is pure conjecture; there were several families who bore the same name at this period. The only evidence corroborative of it is that William Byrd's second son was named Thomas, possibly after his grandfather. ”
Source: Wikisource

Portrait of John Alexander Fuller Maitland John Alexander Fuller Maitland,  Dictionary of National Biography… (1888)

“ In 1589 Byrd's ‘Songs of Sundrie Natures’ and the first book of his ‘Cantiones Sacræ’ were published by East at the sign of the Black Horse in Aldersgate Street. In the following year the same composer contributed two madrigals to Thomas Watson's ‘First Sett of Italian Madrigalls Englished,’ as he had previously done in the case of ‘Musica Transalpina,’ and in 1591 the second set of Byrd's own ‘Cantiones Sacræ’ was issued by his assignee. In 1591 East printed a new edition of the psalter of William Damon, the first issue of which had been published by John Day in 1579. ”
Source: Wikisource

Portrait of William Barclay Squire William Barclay Squire,  1911 Encyclopædia Britannica, Volume 4… (1911)

“ On the 22nd of February 1569 he was sworn in as a member of the Chapel Royal, but he does not seem to have left Lincoln immediately. In the Chapel Royal he shared with Tallis the honorary post of organist, and on the 22nd of January 1575 the two composers obtained a licence for twenty-one years from Elizabeth to print music and music-paper, a monopoly which does not seem to have been at all remunerative. In 1575 Byrd and Tallis published a collection of Latin motets for five and six voices, printed by Thomas Vautrollier. In 1578 Byrd and his family were living at Harlington, Middlesex. ”
Source: Wikisource

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