Intermezzo

Definition and stakes

A Dictionary of Music and Musicians (1900)

“ Meanwhile, the Intermezzo steadily continued to advance in interest and importance, Guarini (1537–1612) wrote Intermezzi to his own Pastor Fido, in the form of simple Madrigals. In 1623, L'Amoroso Innocenza was produced, at Bologna, accompanied by Intermezzi della Coronazione di Apollo, per Dafne convertita in Lauro, set to music by Ottavio Vernizzi. This work introduces us to a new and extremely important epoch in the history of the branch of Dramatic Art we are now considering. By degrees, the Intermezzi were made to embody a little continuous drama of their own. ”
Source: Wikisource

A Dictionary of Music and Musicians (1900)

“ His first important composition—a Sacred Drama, called San Guglielmo d'Aquitania—was diversified by Intermezzi, of a playful character, introduced between its principal divisions. His greatest triumph—La Serva Padrona—was, itself, an Intermezzo, pur et simple. This delightful work—the whole interest of which is centred in two characters, whose voices are accompanied only by a stringed band—was first produced, in Italy, between the Acts of another piece, in the year 1734 [App. p.685 "1731"] . Its success was unbounded. It soon found its way to every Capital in Europe ”
Source: Wikisource

L. de Hegermann-Lindencrone,  The Sunny Side of Diplomatic Life…

“ The Italian public, just as wild in its enthusiasm as it is merciless in its disapproval, rose as one man with a bound and cheered vociferously. But when the Intermezzo was played there was a burst of thundering applause, clapping of hands, and shouts of enthusiasm. I never heard anything like it.
Mascagni was called at least twenty times before the curtain. Any other composer would have beamed all over with joy and pride at such an ovation, but Mascagni only looked shy and bewildered.
”
Source: Gutenberg

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