A Dictionary of Music and Musicians (1900)
“ Meanwhile, the Intermezzo steadily continued to advance in interest and importance, Guarini (1537–1612) wrote Intermezzi to his own Pastor Fido, in the form of simple Madrigals. In 1623, L'Amoroso Innocenza was produced, at Bologna, accompanied by Intermezzi della Coronazione di Apollo, per Dafne convertita in Lauro, set to music by Ottavio Vernizzi. This work introduces us to a new and extremely important epoch in the history of the branch of Dramatic Art we are now considering. By degrees, the Intermezzi were made to embody a little continuous drama of their own. ”
