Lace-making

Definition and stakes

Anne Knox Arthur,  An embroidery book (1920)

“ But lace-making is not for the busy woman or householder, who has her day fully occupied, but rather for the few who possess skill, good patience, and many unoccupied hours—these must belong to the woman who would excel in the art of producing the delicate fabric. It is most interesting to trace the development of lace; how needle-weaving of the more simple, primitive type later became drawn-thread work or openwork, in which finer threads and materials were used ”
Source: Gutenberg

Mrs. Bury Palliser,  History of Lace

“ Lace-making was introduced in 1536 by merchants from Italy and Venice. Many women, seeing a means of livelihood in such work, quickly learned it, and reproduced lace with great skill. They first copied old patterns, but soon were enabled to invent new ones of great beauty. The industry spread itself about the country, and was carried to great perfection: it was found to be one specially suitable for women, and brought in good profits. In the beginning these laces were used solely for trimming chemises and shirts ”
Source: Gutenberg

Various,  Encyclopaedia Britannica, 11th Edition…

“ Lace-making implies the production of ornament and fabric concurrently. Without a pattern or design the fabric of lace cannot be made.
The publication of patterns for needlepoint and pillow laces dates from about the middle of the 16th century. Before that period lace described such articles as cords and narrow braids of plaited and twisted threads, used not only to fasten shoes, sleeves and corsets together, but also in a decorative manner to braid the hair, to wind round hats, and to be sewn as trimmings upon costumes.
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Source: Gutenberg

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