“ She was nine years old, she was lissome and fair, And she wore emeralds in her hair. She could dance like a leaf, she could sing like a thrush, She was bold as the north wind, and sweet as a blush. Her father tanned, her mother span, “But Marjorie shall marry a gentleman,— Silks and satins, I’ll lay you a crown!”— So said the people in Banbury town. Such was Marjorie—and who should come To woo her but this Frodgedobbulum, A vulgar giant, who wore no gloves, And very pig-headed in his loves! ”
Marjoram
Definition and stakes
Marjoram, a fragrant herb and a name that recurs in literature, embodies both botanical symbolism and human storytelling. In Marjorie Bowen’s The Seven Deadly Sins, it appears among herbs in a garden, evoking sensory depth and enigma. In contrast, W. B. Rands’ poem immortalizes a girl named Marjorie, weaving pastoral imagery with playful narrative.
Other works, such as Katherine Merritte Snyder Yates’ Along the Trail, employ the name to examine existential challenges, while Ethiopian Orthodox texts mention Marhamnam, a name associated with spiritual exploration. These diverse uses highlight marjoram’s dual function as a physical plant and a metaphor for human experience, connecting the tangible and the abstract across literary traditions.
Quotes about “marjoram”
“ The earth be kind to your body, sweet. The heavens receive your soul with honour, and the angels that warred with Satan and vanquished him, stand up at your entrance to give you room!'She smoothed the cloth upon the face with mighty love in the caressing of her finger tips.'Good-night, dear love,' she said, lifting it for the last time and kissing his brow. 'It is sweet, even thus in death, to tell thee that I love thee!'Then, when Marjorie had done bidding her love farewell, we lifted the crossed spears, and setting them again on the shoulders of men, we carried Gilbert of Bargany away. ”
Katherine Merritte Snyder Yates, Along the Trail (1912)
“ And so Marjorie told it all, between choking sobs and little gasps as the bonds cut and galled her;—and when she had finished, the little girl still held her hand closely. "Never mind," she said, "we will soon get rid of all this. You know better than it all, so it won't be hard." "But listen," said Marjorie, "I want to ask you a question. Why is it that when I do know that Sequence is nothing—is an emptiness with nothing around it, just like Superstition;—and that Fear, which seems to govern it, is the same;—why is it that I still feel these bonds? ”
